Opening sting
A single title sequence that sets the tone in the first 30 seconds, paced for a live reveal.
- Brand-rooted style frames
- Structured review rounds
- Final master + fallback
- Delivered ahead of doors
- Optional sound design
04· SERVICE
IN THE ROOM & ON THE BROADCAST
Motion Graphics and Event Visuals
That changes the work. A graphic can look beautiful in After Effects and still fail on a stage. It can be too fine for LED. Too subtle for the back row. Too busy for the camera cut. Too slow for a live cue. Too clever for the moment. I build motion graphics and event visuals that work in the room and on the broadcast.
WHAT THIS COVERS
Capabilities, written so you can quote me on each line.
01Opening stings and title sequences in After Effects
02LED wall content built for the actual screen, pixel pitch and camera framing
03Awards packages: category openers, nominee reveals, winner stings and sponsor bumpers
04Lower thirds, name straps, holding slides and over-the-shoulder graphics
05Animated transitions between sessions, speakers and show sections
06Unreal Engine environments and stage backdrops where the brief needs depth
07Rotoscoping, cleanup, finishing and motion polish on supplied footage
08QLab-controlled show visuals: quiz states, prize reveals, shuffle logic and timed sequences
09vMix-ready graphic packages for live streaming and hybrid delivery
Process · in the room & on the broadcast
Script, brand, room
Motion graphics for a keynote LED wall are not the same as graphics for a screen. I go through the script, the brand book and the room — pitch, panel layout and viewing distance change the whole grammar.
Style frames + spec
Style frames for sign-off, then a technical spec the on-site AV team can prep their media server against — the right resolution, aspect and refresh for the wall, confirmed before the first render.
Animate, review, finish
Iteration in After Effects and Unreal Engine where the brief calls for it, with structured review rounds. Content checked against the broadcast cut, not just the room.
Hand-off & stand-by
Final files in your format plus a fallback master. I can load it into QLab or vMix and run it on the day, and stay for the technical rehearsal so calibration issues get fixed before doors.
How we can shape an engagement
Full event visuals
Opening sting, LED wall content, lower-thirds and transitions — one consistent visual language.
- LED content for the actual wall
- Awards & session graphics
- Lower-thirds that play through vMix
- Unreal Engine scenes where briefed
- Show-day rehearsal stand-by
Roto & polish
Rotoscoping, plate cleanup and finishing on supplied footage — including vehicles lifted into new scenes.
- Frame-by-frame rotoscoping
- Plate cleanup & integration
- Colour & finishing
- Delivery to your edit/wall spec
- Scoped to the shot list
ALSO IN THIS SHOP
The other things I do.
OWN THE ROOM
Live Event Production
I produce live events with one simple rule: the show has to work when people are in the room.
IN THE CHAIR
Showcalling and vMix
I am a senior showcaller and vMix operator. On the right show, I can run comms, cue the room, cut the cameras and keep the stream clean from the same position.
TWO AUDIENCES AT ONCE
Streaming and Hybrid Delivery
Most “hybrid events” are still just an in-room show with a stream bolted to the side.
THE SPINE OF THE SHOW
QLab Show Control
QLab is invisible until it is not.
BUILT AROUND THE SHOW
Event Websites and Platforms
Most event websites are brochures wearing a lanyard.
CLARITY FIRST
Web Design and Development
Most small business websites fail for boring reasons.
CLEAN AND PRACTICAL
WordPress Websites and Care Plans
WordPress is not dead. Bad WordPress is dead.
MORE THAN PAGES
Next.js and Payload CMS Development
Some websites need more than pages.
NO LOREM IPSUM
AI SEO Copywriting and Website Copy
Lorem ipsum is where websites go to die.
LET'S GO
If this is the work, the next move is an email.
Plain prose, three sentences. Date, format, scale, what would count as a good show. I reply within a working day.