Comms + vMix, solo
A single-stage conference, panel or streamed studio session run by one person on comms and vMix.
- Showcalling on comms
- vMix vision mixing
- Remote presenter integration
- Stream to your platform
- Laptop-based rig available
02· SERVICE
IN THE CHAIR
Showcalling and vMix
That combination is rare. It also solves a very common live-event problem: the showcaller sees one version of the show, the vMix operator sees another, and the stream gets whatever survives the handover. I sit closer to the whole machine. Cameras, graphics, speakers, remote guests, lower thirds, stream, audience view. All of it has to line up.
WHAT THIS COVERS
Capabilities, written so you can quote me on each line.
01Showcalling over comms with clear, calm cues
02vMix operation, scene building, input management and live switching
03Multi-camera vision mixing, usually two to six cameras
04Camera direction, shot calling and crew briefing
05Remote presenter integration via vMix Call, Zoom, Teams, SRT or return feeds
06Lower thirds, holding states, stings, replay moments and graphics playback
07Streaming to YouTube, Vimeo, LinkedIn Live, custom platforms and RTMP/SRT endpoints
08Clean show rhythm: no dead air, no mystery cuts, no graphics arriving after the moment has gone
Process · in the chair
Dates, venue, scope
Send dates, a venue and a rough scope and I come back with a clear plan in one working day — which role(s) I take, whether one position can cover comms and vMix, and where a second operator is needed.
Scenes & cue list
I build the vMix scenes, inputs, NDI routing, replays and graphics, and write the cue list with the director. Remote contributors get a tested join path before the day, not on it.
Calm cut, clean stream
On headset with the director from the first walk-through. I cue the room and cut the cameras, keeping the in-room IMAG and the stream both clean, with remote presenters made to feel part of the room.
Outputs & handover
Clean recording and stream outputs handed over, plus notes for next time. Day-rate, project-rate and retained support depending on scope.
How we can shape an engagement
vMix / showcall on your show
A senior vMix operator or showcaller dropped into someone else’s production, on the AV supplier’s kit.
- Slot into your production
- vMix on your infrastructure
- Calm comms with your team
- Multi-camera direction
- Freelance day-rate
Multi-camera & hybrid
Multi-camera fan conventions, multi-stage events or complex hybrid shows where roles split across a team.
- Showcalling + camera direction
- Multi-camera live cut
- Remote producers on the main screen
- Stream direction for online
- Second operator where needed
ALSO IN THIS SHOP
The other things I do.
OWN THE ROOM
Live Event Production
I produce live events with one simple rule: the show has to work when people are in the room.
TWO AUDIENCES AT ONCE
Streaming and Hybrid Delivery
Most “hybrid events” are still just an in-room show with a stream bolted to the side.
IN THE ROOM & ON THE BROADCAST
Motion Graphics and Event Visuals
I design event visuals as someone who has also stood in the gallery, called the cameras and watched the output go live.
THE SPINE OF THE SHOW
QLab Show Control
QLab is invisible until it is not.
BUILT AROUND THE SHOW
Event Websites and Platforms
Most event websites are brochures wearing a lanyard.
CLARITY FIRST
Web Design and Development
Most small business websites fail for boring reasons.
CLEAN AND PRACTICAL
WordPress Websites and Care Plans
WordPress is not dead. Bad WordPress is dead.
MORE THAN PAGES
Next.js and Payload CMS Development
Some websites need more than pages.
NO LOREM IPSUM
AI SEO Copywriting and Website Copy
Lorem ipsum is where websites go to die.
LET'S GO
If this is the work, the next move is an email.
Plain prose, three sentences. Date, format, scale, what would count as a good show. I reply within a working day.